Godzilla (2014) Review

With the new Godzilla King of the Monsters (2019) film out on the Friday after I write this I thought it might be interesting for me to go over the 2014 film. After watching it again I wondered if it would be a good idea to do this… And yes it is.

Godzilla (2014) is certainly a film. To say anything more about it I need to dive head first into just what Godzilla is, it’s history and impact. So lets do that.

The original Godzilla is a film from 1954 Japan. For context this wasn’t even ten years after the end of the Second World War, and Japan had surrendered in the face of nuclear destruction. As a nation it was terrified, with good reason. A nuclear bomb, while cliche in media today is no joke. A single device destroyed a city. Killing thousands, tens of thousands in a single stroke. It’s a weapon not meant to fight wars, but to end them. Definitively. You drop a bomb that not only wipes out a city, but poisons the land causing horrible death for hundreds of years to come? You damn well better be afraid.

That’s what Godzilla, the original Godzilla, was meant to be. In the original film wherever Godzilla walked he left radiation, his shadow killed people. His shadow. A giant, unstoppable, monster created by man’s hubris wreaking havoc and destroying all it touched. Its existence a warning and terrible reminder that sometimes man’s blind ambition can lead to him toying with things beyond his control.

In a country as traumatised as Japan, and a world that was already hovering on the brink of armageddon in the form of the nuclear arms race, a film and monster like Godzilla was inevitable.

The Twilight Zone 2019

If you don’t know, this year we’ve had another new series of the Twilight Zone. Since the first series, which had five seasons, was first broadcast in 1959 there have been a few sequels. The 1985 version (three seasons) and the 2002 version (one season), not including the anthology film in ’83.

Twilight Zone is big thing, it was one of the first times in TV, at least American TV, that a Science Fiction based show was aimed at more than just children. It used the greatest strength of sci-fi and horror, the metaphor, to look at our world. To see the issues and concerns plaguing us before asking how things would develop. Often taking it to an extreme in effort to force us to look at our own actions. 

Stories like “The Obsolete Man”, The Monsters Are Due on Maple St” and “Eye of the Beholder” are cutting social commentaries that resonate. Not just in the 60’s, but today and possibly in the future too.

Sometimes they were just plain horror or simply quirky fiction out for a laugh, but even then they thrilled. These were stories crafted by masters. Just look at the frankly terrifying “It’s a Good Life”, or the surreal brilliance of “Five Characters in Search of an Exit”. One of my favourites is “A World of His Own”. It's far from perfect and the twists are easy to spot, well aside from the last one, but it’s a fun quirky little story. 

Doctor Who Series 11 Overview

I need to clarify something, I’m not angry.

I’m disappointed.

I’m going to start this overview with the characters, move on to the episodes and then sum up with my hopes for the 2020 season. So with a lot to get through we best get started with The Doctor.

Having time to reflect is a good thing. It takes us away from the immediacy of a moment and can often give us a better sense of the whole picture. A great example would be that when I first saw Jodie Whittaker in the role (during The Woman that Fell To Earth) I felt there was some good potential there. The joking rename of the villain to the unimpressive Tim Shaw is perfect Doctor. The irrelevant moments, the idle easy humour that off sets the violence. That’s again very Doctor and I wanted to see more of that.

We didn’t. What we got was a very generic version of the character. When this version should have done something outrageous and clever, just because they could, Whittaker just seems to stand there. Where one incarnation would rage loudly, another would become cold and calculating Whittaker simply stands around. There’s no urgency, no passion and no real joy to the character here. Somethings do work, but not quite in the right way.

Having seen Jodie Whittaker in other roles, and some what enjoyed her acting to be honest, I’m left wondering if she’s sleep walking through the part. I can’t see any passion in her performance. She’s not been given much in the way of material to work with and I doubt she even understands the role. There’s more to the Doctor than just pulling the same funny face once or twice an episode. 

There’s more than a few concerns in the writing. In her first episode the Doctor cobbles together a Sonic Screwdriver, you’d think that means this Doctor is an engineer and a tinkerer. Someone who builds things for the sake of the plot. In her defence she does, twice more, but it’s not really in her character. It feels out of place every time she does it. At one point she derails an entire story, slamming on the narrative breaks, for a speech about some technology they come across. This is a one off, we don’t see this side of her again really. It’s all horribly inconsistent.  

It takes a while for some actors and writers to home in on the personality of a Doctor. We’ve seen it happen before. Capaldi flip-flopped his Doctor’s traits several times, Sylvester McCoy’s first season was a disaster, however his second alone makes him one of the best Doctors in my opinion.

With a season as short as this one I don’t think anyone’s gotten a grasp of this Doctor yet. So the generic grab bag handful of half baked traits they’ve bolted together to make Doctor 13 still needs time to mesh right. I am convinced that the potential is still there, but it needs something more to bring it out. More episodes, more focus on the Doctor. Most importantly more interesting and better villains.

A hero is defined by their opponents and Whittaker’s bad guys so far have been a collection of weak, half baked and ineffectual parodies. With the notable exception of the New Years Special. The new villains don’t have any depth to them and no real weight. In any other season they wouldn’t have even registered as filler.

Doctor Who Series 11 Special Resolution Review

Did Chris Chibnall get a book on how to write a horror story over Christmas?

Now I know this was probably recorded back sometime around August, but the joke works. I’m just not that funny. So what did I think of the episode?

It felt like a season ending adventure, a lot more than The Battle of Ranskoor Av Kolos was. It was a strong story, with some really exciting moments. Good timing, both comedic and dramatic, and worked very well over all.

It’s not a perfect adventure. There are flaws, and I’ll look at them in a moment, but there are serious strengths. We really saw the threat of a single Dalek. Last time we saw that’s with Dalek, back in 2005, since then it’s been whole armies. Now a single Dalek is a threat again. We saw just one annihilate an army here, even taking on a tank and winning. This is powerful stuff. We also got some nice body horror, with the Dalek taking control of a human body for transportation early on.

We also got a limited car chase, a nice little bit of romance for our guest characters and while predictable in places I can’t really complain about that this time around. Rather than lifting sections wholesale from other, better, stories Chibnall seems to have figured out what he’s supposed to be doing. 

After the shear incompetence he showed during the season proper this is a refreshing change. I honestly found myself wondering if it really was just Chibnall who did this, and he wasn’t helped by a ghost writer. Someone with experience in writing Science Fiction and horror. I think he was.

One of the things that helped convinced me of this is the way the subplot about Ryan’s dad appears at odd thematic points. Only to bring the story to a crashing halt when they did. One scene we get a Dalek murdering a couple of police officers, the next a tender moment between Ryan and his previously absent father. The tonal whiplash almost gave me a neck injury.

Another part of the theory came about because this time around Chibnall actually knew something about Doctor Who history, with references to the Black Archive and even UNIT. Of course that brings us to UNIT. According to what we are told UNIT is currently disbanded due to budget issues. On the one hand this is a good thing, forcing the Doctor to solve this without their help. On the other What the absolute hell? UNIT has been a steadfast ally to the Doctor since the 60’s and now they’re just gone like that?

The last Doctor (Twelve) negotiated a colony of Zygons on earth, with UNIT policing them. What’s happened to that? It just doesn’t make much sense, the reason given is it’s budget has been cut because alien invasions aren’t that common anymore. I question that logic, just about every alien race passing by has tried it in the last dozen years, but alright. Maybe after the Dalek’s killing spree, and knocking out the entire communications infrastructure of the UK, they might get their act together.

Speaking of getting their act together. That is what this special sort of feels like. Chibnall and team got it right. Series 11 had growing pains. It tried really hard, but just didn’t quite work. With this special it did and it’s not quite the good news you think. The next season isn’t due until 2020, a long year away and whatever the good will this special earns might not be enough.

One or two great episodes in a season do not make up for a mediocre greater whole. I’m going to be posting a full season review in a couple of days, but this special was indeed one of the highlights. If Chibnall did pull someone in to shadow him for this one, understandable given the amount of episodes he did this season, then I hope he keeps them. If not and this was just a case of a good story done well, then brilliant. More please.

In fact more like this in general. Social commentary was never the problem, it was the bad stories that couldn’t justify it. More creative, entertaining episodes like this was would address that problem and bring both newer and classic fans back together again in the love of good story telling and staying true to Doctor Who.

10 out of 13

Would be better, if not for the tonal whiplash at points. A good start to the year though. See you in 2020 Doctor.