The Companions in “New” Doctor Who
Part Two
Here, at long last, is the second half of my New Doctor Who Companions retrospective. With this one we enter the era of Moffat. It’s hard to remember today but when Moffat took over from Russell T. Davis the fandom was overwhelmingly positive. Moffat had a good track record behind him, with some of the best episodes of the new series so far being penned by him. Including Blink, which introduced us to the Weeping Angels, and the Girl in the Fireplace, as well as others. Lots of people were expecting good things.
But before we jump into that just remember two things. The first is that a character is a Companion if I say they are and the other is that I’m addressing the Companion only. We’re not looking at the Actors and anything I say is about them, not the person performing them.
On with the review:-
The Ponds
11/10 (see what I did there, Eleventh Doctor… 11 out of 10…)
No I’m not separating them. No I don’t care what you say. It’s Amy and Rory. It will always be Amy and Rory. Throughout time, space and however thousands of years either of them will have to wait for each other it is Amy and Rory. The idea of a young couple in the TARDIS has been done before, but not since the very early days of the classic seasons and never with this much passion. The two of them are inseparable and wonderfully individual at the same time.
I could take up this whole article with little moments between the two. From an otherwise pointless aside of playing darts in the TARDIS to the flashback where Amy points out Rory must be gay because all he ever does is hang around her all the time. The big moments though. The sacrifices, the way the pair were with each other, the way they grew and changed. It was a wonder to watch. Alone either one would be fantastic, together they are the best New Who has to offer. Amy’s fire was so welcome. As was Rory’s courage. The humour, the moments you cheered, those where you cried. Amy’s final goodbye and Rory’s constant deaths. It was the best of times.
And it only gets better
River Song
10/10
This one won’t earn me many friends and you know what I don’t care! River Song was a creation of Steven Moffat and was both a warning of things to come and one of the best things he ever did with the show. A mysterious woman from the Doctor’s future, so not even he knows the full story until it’s too late. Jack Harkness was very much a dry run for some of the character traits here, but this time we got a whole lot more. The out of time relationship these two had really worked and while a lot of people felt there was too much of an emphasis put on her early on it was necessary in the long run. She was quick with a gun, flirtatious, just as quick witted and not even the Doctor knew where he stood with her. Even when you were certain you knew as the audience what was going on River was that wild card that changed the whole game.
Throw that card in with the Doctor and the Ponds you have one of the greatest sagas in the fifty plus years.
The problem started here though when she started taking over. River was such an interesting, fascinating character that she started to eclipse the Doctor. A good number of fans couldn’t accept that, but we weren’t the only ones to notice. Moffat pulled things back form the brink. Showing time and again no matter how far you thought River was ahead The Doctor still had enough push at the end to regain his throne.
While controversial River was necessary. She was a risk, something new. For years Doctor Who has been too comfortable with the same format and this sort of risk needs to be taken.